Nostalgia for Nature. Three Seasons by Dan Mohanu

Dan Mohanu, Veduta—End of Winter, tempera with emulsion

Browsing the current exhibition at Elite Art Gallery the other day I was struck by how gripping Dan Mohanu’s seasonal landscapes were. They were the stuff of virtual reality. I felt part and parcel of each of those three landscape vedute: Summer, End of Winter, and Beginning of Spring.

Dan Mohanu, Veduta—Beginning of Spring, tempera with emulsion
Dan Mohanu, Veduta—Summer, tempera with emulsion

The only thing missing was, of course, a scene for autumn/fall. Fall is glorious outside these days (still), and yet I was nostalgic for the kind of season captured by Mohanu’s brushstrokes: the kind of touches that make the grass almost rustle, and the light almost more natural than any captured by cinematographers. Yes, I was that taken with these paintings. They were detailed yet not overdone in the foreground and middle ground, and then rather abstract when it comes to gestural strokes sketching foliage and land in the distance. But notice how the light hugs the tree trunks (and canopies) in summer, and how it seems to suffuse them in winter.

And notice how faint sunlight is at the beginning of spring, where only the leaves of new plants and some small and tiny spots of snow bring hope into the landscape.

I’ll leave you to enjoy these images on your own some more. If you wish to see the actual paintings, they are on display until Nov. 5.

A bit about Dan Mohanu, courtesy of Elite Art Gallery. He’s been working in mural restoration for decades. In fact, he is the founder of the Department of Conservation and Restoration at the National University of Art in Bucharest, and was the head of this department between 1990 and 2016.

The current exhibition, which includes several painters, has been organized under the patronage of the Romanian National Commission for UNESCO.

If you’re interested in acquiring the featured paintings by Dan Mohanu, you can do so at Elite Art Gallery for 5,400 lei/approx. €1,090.

If you can stop by the gallery, there’s a lot there to enjoy. It’s one of my favorite places in Bucharest.

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Lucia Lobonț, Moody Pictures

I love the aesthetics of Lucia Lobonț’s ceramics, whether they be tamer decorative pieces, moody portraits, or mixed-media-informed collage-like compositions with more recognizable use of decalcomania (Here’s an example of the latter.)

I discovered Lucia Lobonț about a week ago at Elite Art Gallery in downtown Bucharest, where she had two portraits and a mirror frame on show. Here’s one of the portraits and part of the mirror.

Lucia Lobont_Reflection and Portrait

Lucia Lobonț, Reflection and Portrait
Glazed Ceramics

In the piece to the right, I’m drawn to the economy of gestures in marking shadows and red cheeks, and, of course, the moody tone, set by those wonderful droopy eyes, the chubby chins, the quirkily curved lips, and the full ovals of the faces.