I love the aesthetics of Lucia Lobonț’s ceramics, whether they be tamer decorative pieces, moody portraits, or mixed-media-informed collage-like compositions with more recognizable use of decalcomania. (Here’s an example of the latter.)
I discovered Lucia Lobonț about a week ago at Elite Art Gallery in downtown Bucharest, where she had two portraits and a mirror frame on show. Here’s one of the portraits and part of the mirror.
Lucia Lobonț, Reflection and Portrait Glazed Ceramics
In the piece to the right, I’m drawn to the economy of gestures in marking shadows and red cheeks, and, of course, the moody tone, set by those wonderful droopy eyes, the chubby chins, the quirkily curved lips, and the full ovals of the faces.
Walking about Amzei Square yesterday evening, I stopped at Amzei Market Makers to see their current exhibition (curated by Beti Vervega and Mădălina Mirea). One of the artists included in the show was Vlad Basarab (b. 1977, Bucharest), a graduate of the Ceramics section of the University of Alaska Anchorage, as well as of two MFA programs in the US, currently a PhD student in visual arts at the National University of the Arts in Bucharest.
Vlad Basarab is mostly known for the clay books in his Archaeology of Memory series. You can see a photo on ArtOut, accompanying Mădălina Panduru’s interview with the artist, and a video on YouTube, showing in 4 minutes and 31 seconds the way one of these books dissolves under the week-long attritive action of water. In the interview, Vlad Basarab explains that he has left the pages blank in order to allude to oblivion and absence, and to stimulate the viewer to imagine what might have been in those books. Along the same lines, the disintegration of the book suggests the loss of collective memory. For more info in English on Vlad Basarab, see this page from the online art portal Modernism.
I didn’t get to see his books yesterday, but the works he did contribute to the show were rather strong, too. They were called Oameni Pământ nr. 1 (Earth People No. 1) and Oameni Pământ nr. 2 (Earth People No. 2), and they played with his favorite media, the elementary materials of earth, water, and fire. I thought they were quite inspired. Here they are.
If I had a little girl, I’d buy her dolls that are also graphic art, the kind Alexandru Ariciu makes. I love it when artists working in ceramics are also accomplished graphic artists, for they make something which is aesthetically and haptically pleasing, quirky and fun, and inviting to reverie, all at once.
Here’s Alexandru Ariciu at Elite Art Gallery in Bucharest.
Ceramics by Alexandru Ariciu (dolls) at Elite Art Gallery in Bucharest
Ceramic cups by Alexandru Ariciu, Elite Art Gallery
Ceramic jewelry by Alexandru Ariciu
Alexandru Ariciu, ceramic dolls, Elite Art Gallery