How do we define love? What does it mean to love? Is there a right or wrong way?

Mira Tudor_Poets, Artists, Lovers. A Novel_ebook cover_blogThe Bookworm at posted her review of Poets, Artists, Lovers, and she asked me to feature it here as well.

So here’s from The Bookworm:

With Poets, Artists, Lovers: A Novel, Mira Tudor takes us on a journey through a tangled web of romance-ridden lives that starts and ends with Henriette, a talented sculptress and “beautiful redhead”, who finds herself drawn to Pamfil, a pianist/Casanova known for his monthly parties. This all despite her relationship with Haralambie, a writer.

The dialogue-heavy narrative might seem hard going at times, but it is actually quite apt, as the story primarily features middle-aged girlfriends drinking what seems to be endless cups of peppermint tea and talking about not only those oh-so-relatable things such as weight gain, boy troubles and minor existential crises, but sharing shrewd and interesting perceptions on art and society.  The reader is also treated to a raw and authentic yet, despite its many philosophical digressions, accessible glimpse into the Romanian art scene. On the surface, it might just seem to be a close group of bohemian artists hanging out at parties and warbling about art but there is some provocative substance underneath.

To read the rest of the review, go here.

Poets, Artists, Lovers is only $2.99 on Amazon US! Enjoy!

Links for countries other than the US:

Amazon UK

Amazon Canada

Amazon Australia

Amazon India

Amazon Spain

Amazon France

Amazon Italy

Amazon Germany

The Netherlands





Poets, Artists, Lovers, today at 99¢

Mira Tudor_Poets, Artists, Lovers. A Novel_ebook cover_blogAbout friendship, love, and passion, tenderly, in a manner reminiscent in parts of David Nicholls’s One Day. A book about the beauty and blindness of several Romanian artists and musicians and their treacherous journeys to love and happiness.

My book Poets, Artists, Lovers: A Novel is today available on Amazon for only 99¢.

A synopsis of sorts:

Henriette, an accomplished sculptor, seems to find more joy in her feminist-inspired work and her piano playing than in the people who care about her. Ela, a piano teacher turned book reviewer, hopes to discover the key to happiness and a more meaningful life through studying the workings of the mind and crafting poems about emotions she trusts will lead her to a better place. Joining them in beauty and blindness is Pamfil, a violinist who dabbles as a singer and lives mostly for the moment and his monthly parties. As they follow their passions, they find themselves on treacherous journeys to love and happiness, and are slow to figure out how to best tackle their predicaments. Fortunately, their lovers and friends are there to help . . . but then a newcomer complicates things.


“I felt I’d had a virtual trip to Romania and am now ready to take one live! An inquisitive and personal literary bouquet” –Mari Carlson, Midwest Book Review

“This book felt like a philosophical version of Friends” –Annika Stanger


Poets, Artists, Lovers is today only $0.99 on Amazon US and £0.99 on Amazon UK! The price on Amazon US will go up to $1.99 on Nov. 13, and will stay $1.99 until the end of my Countdown Deal on Nov. 16. Enjoy!

With Pamfil and his music, Anca discovered a different intensity of being alive

Mira Tudor_Poets, Artists, Lovers. A Novel_ebook cover_blog_smCostineşti, August 1993, almost eight years earlier. […] Later that summer, while Marcel visited his grandparents in Sighişoara, [sixteen-year-old] Anca returned to Costineşti on her own. As if looking for something, she spent part of her time there roaming about the resort in the deafening sound of dance music blaring through every major loudspeaker—until, on the third day of her sojourn, she was approached by a guy selling cassettes with psychedelic and progressive rock, blues and blues rock, and folk music, all of it British and American.

“Care to change the music?” the vendor asked, spotting Anca’s silken black hair and her slender silhouette in the crowd.

“Pretty much,” Anca responded, amused. “What do you have?”

“The crème de la crème of 1960s and 1970s rock and folk, and some blues,” he said, taken with Anca’s expressive eyes, green with flecks of hazel.

“Surprise me,”  Anca said, basking in the stranger’s searching gaze.

“Okay . . . how about The Doors?” the vendor asked with a lopsided smile. “The Doors of Perception . . .”

Anca looked at him questioningly.

Pamfil, the vendor, gave a small laugh. “It’s a book by Aldous Huxley—who himself lifted the phrase from a poem by William Blake. Aldous Huxley is the one who wrote Brave New World. He took mescaline and entered mind-expanding trances. It inspired Jim Morrison to call his band The Doors—given that he aimed to be such a shamanic figure himself.” He then played a few songs by the Los Angeles band for her. They had Anca hooked—and stumped as to where to listen to that kind of music some more.

“You can come to my place,” Pamfil said, appraising her waifish silhouette. “I’m here with friends from the Conservatory,” he went on. “One of them left early, so we have a free bed. That way you can listen to everything.”

“You a musician?” Anca asked, suddenly very interested in Pamfil.

“I play the violin,” he responded with a smile, happy to see in her warm gaze that she might appreciate classical music as well. “So, are you coming?” he asked after a moment of reverie.


“To my place. To stay with us.”

“Okay,” Anca said, bringing her hands together with a clap in a thank-you gesture.

Pamfil smiled, charmed by her enthusiasm. “It’s a deal, then. I’ll tell the guys you’re coming.”

Anca smiled back, delighted. “Okay.”

With Pamfil and his music, Anca discovered a different intensity of being alive. She twirled in the room like a girl turning into a woman by magic as she listened to The Doors to her heart’s content, and several times she took that energy outside the dorm while playing their songs in her head. She didn’t know what to make of Jim Morrison’s poetry, but, like koans, his verse left her hovering in a space where she could receive new meanings and feelings.

She also fell in love with Joan Baez, and at noon, when Pamfil was selling his tapes and his friends were away for lunch, she went with determination after the folk musician’s soaring inflections, besotted with her purity of voice, richness of tone, the joy that swelled and ebbed in her music as she tackled sad stories, and her talent as a guitar player.

And then there was Led Zeppelin. Anca played their ballads over and over again, feeling them weave their way in, more beguiling with each turn and return, until they erupted from the pit of her stomach in bursts of guitar, voice, and drums. She couldn’t have enough of Jimmy Page’s guitar-picking and Robert Plant’s whispering and caterwauling, of all the drumming, strumming, screaming, and wailing.

Anca’s soul was metamorphosing in contact with this new music, and Pamfil kept the process going by supplying her with information and new songs. In the mornings, as she did stretching exercises, he provided the aural background, and in the evenings, as they took walks together, he introduced her to stories from the lives of her newly favorite musicians as well as from Woodstock—that four-day festival of August 1969, with its hundreds of thousands of flower-power hippies and the amazing lineup of musicians in their midst regaling them with some of the best rock and folk music of the late sixties, and capturing, as they did so, much of the spirit of that period. Anca soaked it all in, feeling, in turns, entranced, excited, and achingly happy.

Poets, Artists, Lovers: A Novel is now available on Amazon. Here it is!


“The Thinker and the Lover,” Henriette mused

Mira Tudor_Poets, Artists, Lovers. A Novel_ebook cover_blog_smThe Thinker and the Lover,” Henriette mused as her eyes glided over the movie poster. “Interesting. ‘Inspired by the novel Narcissus and Goldmund by Hermann Hesse.’” She turned to Ela and Pamfil. “Have you read this book?”

“No,” they both said in unison.

“So does this mean the thinker doesn’t love, and the lover doesn’t think?” Henriette quipped, heartily amused at the notion.

“We’ll see,” Pamfil said. “I imagine it’s probably about personality dominants than a clear-cut dichotomy. I read somewhere that the ‘lover’ is an artist, so he clearly thinks a bit,” he added with a smile.

Some two hours later they were outside again, walking down Dacia Boulevard to Romana Square.

“So how did you like it?” Pamfil asked.

“I liked that the artist was also a wanderer. Many artists are wanderers at heart,” Henriette said.

“I felt sad for the scholar,” Pamfil said. “He helped Goldmund find his path in life but he couldn’t help himself. He died unfulfilled, unloved.”

Henriette shook her head in disbelief at Pamfil’s way of showing his soft side. “But Goldmund loved him,” she countered, even-tempered, keeping her gaze ahead.

“But are they separate people or just separate ideas?” Ela put in.

“What do you mean?” Henriette asked, turning to her friend.

“Maybe Narcissus and Goldmund are facets of the same personality, complementary aspects of one’s psyche rather than opposite characters,” Ela said. “Forces that struggle to express themselves, seeking fulfillment of the mind and the senses.”

“Mediated by the mysterious soul, perhaps,” Henriette interjected with a smile.

“Perhaps.” Ela took in the amber light around her, in the sky and on the beautiful late-nineteenth- and early-twentieth-century villas of French and Neo-Romanian eclecticism.

Henriette looked at Ela looking at the city at sunset.

“My place?” Pamfil asked. “You could humor me and play some piano,” he added, turning to Henriette. “You and Ela.”

Poets, Artists, Lovers: A Novel is now available on Amazon. Here it is!


“Really? You can change men?” Henriette blurted, amused.

Mira Tudor_Poets, Artists, Lovers. A Novel_ebook cover_blog_sm“I’d like to meet him again,” Ela said.

And she did, a few weeks later, in May 2001, when Henriette invited both Ela and Pamfil to one of her performance pieces, Channeled, at another art gallery in Bucharest. The work involved twenty teenagers of various ages typing in a makeshift chat room, in a physical setup that mimicked that of an Internet café, with the computer desks set flush against the walls of the gallery.

When she arrived there with her two friends, Henriette greeted the gallery assistant, grabbed some informational materials, and proceeded to walk around the room in order to catch some glimpses of the chat conversations.

“Remember when I went to Prague for New Year’s Eve in 1999?” Henriette asked.

Pamfil, who had been browsing a brochure, lifted his gaze to Henriette’s.

“With that friend from high school?” Henriette continued.

“Yes, I remember,” Ela said. “When you broke up with Har.”

“Yes, after a year with Har,” Henriette echoed. She looked at Pamfil. “I went to Prague with a guy, and we fought and went our separate ways, and then we met online in a Bucharest channel—a chat room—on mIRC.”

“And then they had champagne on the Charles Bridge at midnight,” Ela said, smiling at Pamfil.

“Yes, we drank champagne when we met on the Charles Bridge,” Henriette told Pamfil. “We opened the champagne and took a picture of us kissing, in the middle of a crowd that pushed from all sides.”

“Nice story,” Pamfil said. He looked at the people typing on keyboards. “What do they write about?” he asked, his eyes now focused on a screen.

“Ask them,” Henriette replied.

“They look like they’re having fun,” Pamfil said.

“The idea is that online chatting is a form of communication that people engage in to alleviate anxiety,” Henriette explained.

“Interesting,” Ela remarked. “They don’t look anxious.”

“Sometimes boredom is just another word for latent anxiety,” Henriette said. “They may seem like they’re opposite notions, but boredom often gives way to anxiety.”

“Is that from your artist’s statement?” Pamfil asked with a smile.

“It is.” Henriette smiled back.

“Is that what you had in mind when you titled the piece Channeled? The fact that you’re channeling young people’s energies into an activity that helps them psychologically?” Ela asked.

“That, and the fact that chat rooms are called ‘channels’ on mIRC. Also, I wanted to refer obliquely to the fact that what’s channeled is the impulse and need for real communication, and what they get is a travesty of that. And yet it has its value. I’m not sure I’ve succeeded very well in conveying my conflicted stance on technology,” Henriette said pensively. “Let’s talk some more over tea,” she added, switching gears.

They headed to a tea house, revved up by their performances for each other.

“So how was Prague?” Ela asked once they sat down and ordered tea and petits fours. “You never told me much about it, except for the fact that you didn’t get to visit any museums.”

“Yes, I went with this bunch from high school,” Henriette said, settling into her seat.

“Were they fun?” Pamfil asked, his eyes boring into Henriette’s.

“If you consider early mornings spent drunk in bars fun, they were fun, yes. I may have been too sober to appreciate it.”

“Did your boyfriend like his booze too much?” Pamfil asked, a mischievous tone in his voice.

“Hard to say ‘boyfriend,’” Henriette said, darting a look at Pamfil.

“Was this some sort of revenge on Har?” Ela ventured.

“Not really. I wanted to get away, that’s all. Try something else.”

“That’s a good reason,” Pamfil said. He wanted to appear lighthearted, but his comment came out brooding.

Ela sought out his gaze. “Is it?”

“Once you try it, you may discover it isn’t,” Pamfil said with a forced laugh as he met Ela’s eyes. “But unless you try it, you won’t know. So yes, by any means, getting away is fun.”

“But we can’t stay away,” Ela retorted. “Shouldn’t we try to work on our routine instead?”

“Routine. Interesting notion. I’ve thought of it too. Don’t give it much credit, but yes, I’ve given it a lot of thought,” Pamfil said, his eyes lively.

“And?” Ela asked dryly.

Pamfil gave her a keen look. “And it can be a killjoy.”

“Even the routine with a loved one?” Ela probed, peering through the large windows at passersby so as to avoid Pamfil’s piercing eyes.

He kept watching her graceful profile. “There is no routine with a loved one. Lovers are supposed to change each other all the time.”

“Really? You can change men?” Henriette blurted, amused.

“Some women can change some men, yes,” Pamfil responded without missing a beat.

Poets, Artists, Lovers: A Novel is now available on Amazon. Here it is!


“I’d like to meet him again”

Mira Tudor_Poets, Artists, Lovers. A Novel_ebook cover_blog_sm“Hey! Glad you could make it!” exclaimed Henriette, enveloping her younger friend Ela in a hug and wafts of sea breeze fragrance before giving her the customary kiss on both cheeks.

Ela readjusted her glasses, amused at how exuberant Henriette still was at thirty-four.

“Should we go in?” Henriette prompted, opening the door with a flourish.

Ela stepped gingerly into the exhibition space. “Beautiful place,” she remarked, noting how the sunbeams streaming through the large glass wall glinted off the rough, irregular surfaces of bronze-cast works.

“Coffee, tea?” Henriette asked as Ela removed her scarf and trench coat.

“Tea. But I want to look at the sculptures first.”

“See if you can spot mine,” Henriette called after her.

A few moments later the bell on the door tinkled, and Pamfil, a tall, dark-eyed man with a mop of wavy black hair entered the gallery, his eyes on Henriette.

“Hello, Ettie,” he said with a smile, taking a cursory look around the gallery. Ela was by now at the other end of the room, engrossed in a sculpture depicting a hybrid between the torso of a woman and the trunk of a tree.

“Hello, Phil,” Henriette returned nonchalantly.

“How are you doing?” Pamfil asked.

“Came to see the show with a friend of mine,” Henriette responded. She grabbed a tea mug and headed with Pamfil in tow to where Ela was photographing a work displaying a heart squeezed under a tall stack of books.

“Reminds me of Har,” Ela said, taking the mug from Henriette. “He’s spending more time with books than with people.”

“He does,” Pamfil interjected carelessly, throwing the remark in Henriette’s direction.

Henriette gave him a sly smile.

“You know Haralambie?” Ela asked, turning to the new visitor with curiosity.

“Heard this and that about him,” Pamfil responded, his words slipping out slowly, carefully as he appraised Ela’s soft chestnut eyes and thick eyebrows, her dark ringlets of hair, and her petite body, inviting in a flattering dress and waist-length cardigan. His eyes lingered a moment too long on her breasts.

“Sorry, where are my manners?” Henriette blurted. “Ela, this my friend Pamfil. Pamfil, this is Ela, my very good friend.”

The two guests shook hands, their faces lit up by smiles.

Henriette looked around the room, pretending to ponder the exhibition. Her gaze returned to the heart sculpture. “So you recognized one of my pieces,” she said to Ela, while the latter sipped her hot, minty brew. “Here’s another,” she went on, pointing her guests to a Janus-faced flattened head kissing a woman on each side.

Pamfil spent a moment taking in the work. “Cute. You must have really enjoyed shrinking this guy’s brain,” he teased.

“Is that revenge on someone from your past?” Ela asked.

Henriette bypassed her friends’ last remarks. “How’s your tea, Ela?”


“Girls, I have to bow out,” Pamfil said. “It was nice seeing you, Ettie.”

Henriette couldn’t restrain a smirk.

Pamfil put out a hand to Ela. “Nice meeting you, Ela.”

When it was time for them, too, to leave, Ela turned to her friend. “That guy, Pamfil . . .” she started. “He’s rather handsome.”

“He is,” Henriette affirmed.

“How do you know him?” Ela asked.

“We met at a party.”

“Do you like him?”

“He’s okay,” Henriette responded, a little disconcerted.

“I’d like to meet him again,” Ela said.

Poets, Artists, Lovers: A Novel is now available on Amazon. Here it is!